Puhl-kri-tood
Puhl-kri-tood
electricsundials:

notpossibleoswin:

elkane:

Jack Dawson… Penniless artist who wins a ticket onto Titanic in 1912, attends a first class dinner, develops a taste for the finer things in life, pockets the Heart of the Ocean, survives the sinking, pawns the diamond, spends the following ten years building his wealth and in 1922 moves to West Egg as Jay Gatsby… Millionaire with a shady past and fear of swimming pools.

IT ALL MAKES SENSE.

Then Inception happens
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anotherpasswordtoremember:

seawaterr:

braydaaan:

everyone needs to reblog this srsly im making it a rule 

Gay marriage is just like normal marriage. People who vote against it are just weird. Everyone deserves to be happy and it doesn’t matter if you’re are gay. So everyone should reblog this

anotherpasswordtoremember:
thalightskinmamba:

Straight Outta
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blackartiststudio:

∆ Wangechi Mutu | Collagist, Afrofuturist, Warrior Woman
∆ Photographer | Chris Sanders [pic 1]
blackartiststudio:

∆ Wangechi Mutu | Collagist, Afrofuturist, Warrior Woman
∆ Photographer | Chris Sanders [pic 1]
blackartiststudio:

∆ Wangechi Mutu | Collagist, Afrofuturist, Warrior Woman
∆ Photographer | Chris Sanders [pic 1]
blackartiststudio:

∆ Wangechi Mutu | Collagist, Afrofuturist, Warrior Woman
∆ Photographer | Chris Sanders [pic 1]
blackartiststudio:

∆ Wangechi Mutu | Collagist, Afrofuturist, Warrior Woman
∆ Photographer | Chris Sanders [pic 1]
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howtobeterrell:

QueenS of ConsciousnesS & Sex-RadicalisM in Hip Hop: On ErykaH BadU & The NotoriouS K.I.M.  By queer Professor Greg Thomas, Ph.D. 

The world of music constantly pits “sexuality” against “consciousness” in its commentary, especially when Black music is  the subject at hand;  internationally, it divides music with “positive,” “progressive” or “political” content from “sex-driven” music which is, supposedly, “sensational,” “scandalous” and “slack.”  This line of thinking goes well beyond contemporary critics and consumers.  For over five hundred years, the Western world of ideas has itself opposed sexuality and consciousness, rigidly, laying the foundation for an entire culture to interpret “eroticism” as a threat to “intelligence,” “bodies” as menaces to “minds” and “sensuality” as an enemy to “rationality” or rationalism.  The European oppression of most of the world’s peoples, African people most of all, it continues to use this bi-polar world-view to advance a racist empire that is every bit as much sexist, class-elitist and homophobic  as it is racist or white-supremacist.
howtobeterrell:

QueenS of ConsciousnesS & Sex-RadicalisM in Hip Hop: On ErykaH BadU & The NotoriouS K.I.M.  By queer Professor Greg Thomas, Ph.D. 

The world of music constantly pits “sexuality” against “consciousness” in its commentary, especially when Black music is  the subject at hand;  internationally, it divides music with “positive,” “progressive” or “political” content from “sex-driven” music which is, supposedly, “sensational,” “scandalous” and “slack.”  This line of thinking goes well beyond contemporary critics and consumers.  For over five hundred years, the Western world of ideas has itself opposed sexuality and consciousness, rigidly, laying the foundation for an entire culture to interpret “eroticism” as a threat to “intelligence,” “bodies” as menaces to “minds” and “sensuality” as an enemy to “rationality” or rationalism.  The European oppression of most of the world’s peoples, African people most of all, it continues to use this bi-polar world-view to advance a racist empire that is every bit as much sexist, class-elitist and homophobic  as it is racist or white-supremacist.
fashionistaswonderland:

Ashley Moore Modeling for Reesiiie.com
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Some things never change.

Some things never change.

Some things never change.

Some things never change.

Some things never change.

Some things never change.